This semester explores the origins and exploitation of the concept of abstraction in music from circa 1910. There is some discussion of the articulation of the term in the visual arts (Kandinsky, Klee), but the seminar centers on the syntax of the modern, late modern, and after modern periods in 20th century music history. Repertoire discussed includes Schoenberg, Babbitt, and Feldman, and both 'dissonant' and 'consonant' abstraction.
Feb 05, 2018 - May 15, 2018
Friday 10:00 AM - 12:50 PM
Woolworth Music Center, Room 226