My Work Focuses on: 
Music Composition
My Other Interests Include: 
fiddling of various sorts, electronic music.

Contact

Office: 
E208 New Music Building
Phone: 
(609) 258-4245
More about Dan Trueman

Dan Trueman is a composer, fiddler, and electronic musician. He began studying violin at the age of 4, and decades later, after a chance encounter, fell in love with the Norwegian Hardanger fiddle, an instrument and tradition that has deeply affected all of his work, whether as a fiddler, a composer, or musical explorer.

Dan's current projects include: a double-quartet for So Percussion and the JACK Quartet, commissioned by the Barlow Foundation; Olagón -- an evening length work in collaboration with singer Iarla Ó Lionáird, poet Paul Muldoon, and eighth blackbird; the Prepared Digital Piano project; a collaborative dance project with choreographer Rebecca Lazier and scientist Naomi Leonard; ongoing collaborations with Irish fiddler Caoimhín Ó Raghallaigh and guitarist Monica Mugan (Trollstilt); a new collaborative work with Mark DeChiazza for the PRISM saxophone quartet. His recent albums with Adam Sliwinski (Nostalgic Synchronic), Ó Raghallaigh (Laghdú) and So Percussion (neither Anvil nor Pulley) have met with wide acclaim.

His explorations have ranged from the oldest to the newest technologies; Dan co-founded the Princeton Laptop Orchestra, the first ensemble of its size and kind that has led to the formation of similarly inspired ensembles across the world, from Oslo to Dublin, to Stanford and Bangkok. Dan's compositional work reflects this complex and broad range of activities, exploring rhythmic connections between traditional dance music and machines, for instance, or engaging with the unusual phrasing, tuning and ornamentation of the traditional Norwegian music while trying to discover new music that is singularly inspired by, and only possible with, new digital instruments that he designs and constructs. His tools of the trade are the first-of-its-kind Hardanger d'Amore fiddle by Salve Håkedal (played with a beautiful baroque bow by Michel Jamonneau), and the ChucK music programming language by Ge Wang.

Education

B.A. Carleton College (Physics)

M.Mus. College Conservatory of Music Cincinnati (Composition)

PhD Princeton University (Composition)

Recognition & Awards

Bessie Award 2016; American Council of Learned Societies Fellowship 2015; Barlow Commission 2014; Fulbright Fellowship 2010; MacArthur Foundation “Digital Innovations” Grant 2008; Guggenheim Fellowship 2005