is due on the first day of fall term reading period during the third year, as emailed to the DGS and the Academic Programs Administrator. It should describe the goals and strategies of a dissertation both in composition and prose—a unified project expressive of your central concerns in the field of contemporary music.
Students should consult with their advisor and second reader regarding the completion of both portions of the dissertation (essay and composition) and scheduling a Final Public Oral (FPO). Both readers must approve the final text of the dissertation, along with the composition, before the FPO can be scheduled.
must be submitted by the last day of classes in the spring semester in the third year.
The Music Department provides funding (tuition and stipend) for all students in good standing. Students who have not finished their dissertation at the end of five years and who are making progress on the dissertation may apply for DCE (Dissertation Completion Enrollment) status for years six and seven as necessary. DCE students are charged modest-cost tuition that includes mandatory health insurance.
The following funding opportunities exist for DCE students:
- Students who receive an external fellowship may be able to eligible to bank a year of funding.
- Students entering DCE status who have made substantial progress on their dissertations are eligible to be nominated for an Honorific Fellowship.
- Students who have made substantial progress on their dissertations may be nominated by the Department for the new Sixth-Year Funding Program.
For further information, please see the Graduate Handbook.
The Princeton Sound Kitchen ("PSK") is a vital forum for the creation of new music. Serving the graduate student and faculty composers of the renowned composition program at Princeton University, PSK presents a wide variety of concerts and events. Some concerts are eclectic, and feature numerous soloists or groups and a mix of instrumentation, while others focus on a particular outstanding chamber ensemble. All demonstrate the extraordinary range of interests and abilities of the Princeton composers, many of whom take the stage themselves as performers of their own and others' music. Difficult to pigeon-hole, these composers might work with complex notation, improvisation, electronics, or vernacular music. One might encounter any of these approaches, and many others, at a PSK concert.
Ensembles that have been featured at PSK include the Brentano String Quartet, the New Millennium Ensemble, So Percussion, the Now Ensemble, Newspeak, the Crash Ensemble, the Janus Trio, Roomful of Teeth, and many others.
Princeton Sound Kitchen is directed by Prof. Dan Trueman, in collaboration with his staff and faculty colleagues and the graduate student composers.