The Anthony H. P. Lee '79 Director of Jazz at Princeton University, Mahanthappa is an award winning alto saxophonist/composer who is widely known as one of the premier voices in jazz of the 21st century.
Blue Note Records trumpet star Ambrose Akinmusire joins Jazz at Princeton University's Small Group I in a program including a commissioned suite in commemoration of the 150th anniversary of W. E. Du Bois' birth.
Akinmusire will also lead a workshop on Friday, November 16 at 2PM in the Lee Rehearsal Room at the Lewis Arts Complex, free and open to all.
About the Artist:
Born and raised in Oakland, California, Ambrose Akinmusire (pronounced ah-kin-MOO-sir-ee) was a member of the Berkeley High School Jazz Ensemble when he caught the attention of saxophonist Steve Coleman. Akinmusire was asked to join Coleman’s Five Elements, embarking on a European tour when he was just a 19-year-old student at the Manhattan School of Music. After returning to the West Coast to pursue a master’s degree at the University of Southern California, Akinmusire went on to attend the Thelonious Monk Institute of Jazz in Los Angeles, where he studied with Herbie Hancock, Wayne Shorter and Terence Blanchard.
In 2007 Akinmusire won the prestigious Thelonious Monk International Jazz Competition, decided by a panel of judges that included Blanchard, Quincy Jones, Herb Alpert, Hugh Masekela, Clark Terry and Roy Hargrove. That year Akinmusire also won the Carmine Caruso International Jazz Trumpet Solo Competition and released his debut album Prelude…To Cora on the Fresh Sound label. He moved back to New York and began performing with the likes of Vijay Iyer, Aaron Parks, Esperanza Spalding and Jason Moran. It was also during this time that he first caught the attention of another discerning listener, Bruce Lundvall, President of Blue Note Records.
Akinmusire’s Blue Note debut When The Heart Emerges Glistening was released in 2011 to rave reviews. The Los Angeles Times praised his “chameleonic tone that can sigh, flutter or soar,” adding that “Akinmusire sounds less like a rising star than one that was already at great heights and just waiting to be discovered.” DownBeat described his playing as “spectacular and not at all shy — muscular, driving, with a forward sound, pliant phrasing and a penchant for intervallic leaps,” concluding that “clearly something very special and personal is at work here, a vision of jazz that’s bigger than camps, broader and more intellectually restless than blowing sessions.”