Nocturne for Flute and Piano
D'un matin de printemps for Flute and Piano
Sonata in A minor, "Arpeggione," D. 821
Sonata No. 1
Renowned flutist Marya Martin offers a recital free and open to all with pianist Donna Weng Friedman '80, following her masterclass (4-6PM) with talented Princeton University student flutists.
Sponsored by the Donna Weng Friedman ’80 Master Class Series.
Photo By Juan Patino Photography
About the Artist:
Internationally acclaimed flutist Marya Martin has enjoyed a musical career of remarkable breadth and achievement, gracefully balancing the roles of chamber musician, festival director, soloist, teacher, and supporter of musical institutions. She has performed throughout the world in such halls as London’s Royal Albert Hall and Wigmore Hall, the Sydney Opera House, Casals Hall in Tokyo, and other venues in Paris, New Zealand, and Australia. A native of New Zealand, Ms. Martin came to the U.S. in 1976 on a Queen Elizabeth II Arts Council grant to pursue a Masters degree with Thomas Nyfenger at Yale University, and shortly thereafter moved to Paris to study with master flutist Jean-Pierre Rampal at the Nationale Superieur Conservatoire de Paris, also traveling to Lucerne, Switzerland for lessons with the legendary Sir James Galway. After becoming the only flutist ever to win top prizes in the Naumburg Competition, Munich International Competition, Jean-Pierre Rampal International Competition, Concert Artists Guild Competition, and Young Concert Artists International Competition– all within a two-year period – Ms. Martin returned to the U.S. in 1980 to make her New York debut and has since appeared as a soloist with major orchestras throughout the US and at leading summer music festivals and chamber music series. Ms. Martin is the founder and Artistic Director of the Bridgehampton Chamber Music Festival, a month-long festival involving 40 musicians from all over the world, now celebrating its 26th season. Reflecting her commitment to new music and widening the flute repertoire, she has commissioned and performed more than 22 new works, bringing many of them to the wider public through world premiere recordings. Her recent releases include world premiere recordings of Eric Ewazen’s Flute Concerto (New World) and works by Paul Moravec (Naxos) and Ned Rorem (New World). She has previously recorded for the Naxos, New World, Albany records, Arabesque, Musical Heritage Society, Orion, and Kiwi Pacific labels, among others. Dedicated to fostering the talents of young musicians, Ms. Martin has been a faculty member at Manhattan School of Music since 1996. She was awarded the Distinguished Alumni Award from the University of Auckland in 2005, and has given master classes at leading conservatories and music departments throughout the U.S. and New Zealand. She has served on the Boards of Young Concert Artists and the Miller Institute at St. Luke’s-Roosevelt Hospital, and frequently serves as a jurist in leading international competitions. Her most recent commissioning, performing, and recording project, Eight Visions, brings her lifelong advocacy of contemporary music into a new realm with the publication of this collection.
Clarinetist Anthony McGill is one of classical music’s most recognizable and brilliantly multifaceted figures. He serves as the principal clarinet of the New York Philharmonic — that orchestra’s first African-American principal player — and maintains a dynamic international solo and chamber music career. Hailed for his “trademark brilliance, penetrating sound and rich character” (The New York Times), as well as for his “exquisite combination of technical refinement and expressive radiance” (The Baltimore Sun), McGill also serves as an ardent advocate for helping music education reach underserved communities and for addressing issues of diversity, equity, and inclusion in classical music. McGill was honored to take part in the inauguration of President Barack Obama, premiering a piece written for the occasion by John Williams and performing alongside violinist Itzhak Perlman, cellist Yo-Yo Ma, and pianist Gabriela Montero.
McGill’s 2018-19 season includes performances of concertos by Bolcom, Copland, Mozart, and Strauss with the New York Philharmonic, Los Angeles Chamber Orchestra, Tallahassee Symphony, Vermont Symphony, and Austin Symphonic Band. He will also collaborate together with soprano Miah Persson in a performance of Schubert’s “The Shepherd on the Rock” together with Iván Fischer and the New York Philharmonic. Additional performances include a collaboration with the Dover Quartet for the Philadelphia Chamber Music Society and a recital with soprano Julia Bullock for the Metropolitan Museum of Art, along with collaborations with the Brentano Quartet for Princeton University and a tour of Asia with the Chamber Music Society of Lincoln Center.
McGill appears regularly as a soloist with top orchestras around North America including the New York Philharmonic, Metropolitan Opera, Baltimore Symphony, San Diego Symphony, and Kansas City Symphony. As a chamber musician, McGill is a favorite collaborator of the Brentano, Daedalus, Guarneri, JACK, Miró, Pacifica, Shanghai, Takacs, and Tokyo Quartets, as well as Emanuel Ax, Inon Barnatan, Gloria Chien, Yefim Bronfman, Gil Shaham, Midori, Mitsuko Uchida, and Lang Lang. He has led tours with Musicians from Marlboro and regularly performs for the Chamber Music Society of Lincoln Center and the Philadelphia Chamber Music Society. Festival appearances include Tanglewood, Marlboro, Mainly Mozart, Music@Menlo, and the Santa Fe, Seattle, and Skaneateles Chamber Music Festivals.
In January 2015, McGill recorded the Nielsen Clarinet Concerto together with Alan Gilbert and the New York Philharmonic, which was released on DaCapo Records. He also recorded an album together with his brother Demarre McGill, principal flute of the Seattle Symphony, and pianist Michael McHale; and one featuring the Mozart and Brahms Clarinet Quintet with the Pacifica Quartet that were both released by Cedille Records.
A dedicated champion of new music, in 2014, McGill premiered a new piece written for him by Richard Danielpour entitled “From the Mountaintop” that was commissioned by the New Jersey Symphony, Kansas City Symphony, and Orchestra 2001. McGill served as the 2015-16 Artist-in-Residence for WQXR and has appeared on Performance Today, MPR’s St. Paul Sunday Morning, and Mr. Roger’s Neighborhood. In 2013, McGill appeared on the NBC Nightly News and on MSNBC, in stories highlighting the McGill brothers’ inspirational story.
A graduate of the Curtis Institute of Music, McGill previously served as the principal clarinet of the Metropolitan Opera and associate principal clarinet of the Cincinnati Symphony Orchestra. In-demand as a teacher, he serves on the faculty of the Juilliard School, the Curtis Institute of Music, and Bard College’s Conservatory of Music. He also serves as the Artistic Advisor for the Music Advancement Program at the Juilliard School, on the Board of Directors for both the League of American Orchestra and the Harmony Program, and the advisory council for the InterSchool Orchestras of New York.
Pianist Donna Weng Friedman enjoys a varied career as a soloist, chamber musician, teacher, curator and app developer. She is the co-creator of HER/MUSIC;HER/STORY, a series that shines a light on women composers, past and present. Ms. Weng Friedman is thrilled to announce the media partnership of HER/MUSIC;HER/STORY and WQXR in a four part mini series that she will co-host and curate this fall.
She has appeared as recitalist at Caramoor, Symphony Hall in Shanghai, the Flagler Museum, 92Y, Carnegie Hall, Weill Recital Hall and Alice Tully Hall. She has collaborated with St. Luke’s Chamber Ensemble, Carter Brey, Ani Kavafian, David Shifrin, Mark Peskanov, Elizabeth Mann, Amy Porter, Marya Martin and Paul Neubauer, and has performed as soloist with the Atlanta, Philadelphia and Shanghai Symphony Orchestras, to mention a few. Ms. Weng Friedman has conducted master classes at the Shanghai and Beijing conservatories and is on the faculty of the Mannes School of Music.
Ms. Weng Friedman is the curator of the Donna Weng Friedman '80 Master Class Series at Princeton University and is a member of the Music Department’s Advisory Council. She received a Masters of Music Degree from the Juilliard School, under the tutelage of Adele Marcus, where she was awarded the prestigious Gina Bachauer Award as well as the William Petschek Full Scholarship. She had the privilege of being taught by Nadia Boulanger as well as pianist Radu Lupu.
Ms. Weng Friedman was the music supervisor and recording artist for the award- winning film documentary “Frames of Life” as well as for the documentaries “Living Liberty” and “Morris Engle: The Independent”. She is the creator of “The Music Bee Club” interactive classical music apps series for children ages 2-8 featuring world class musicians, such as Carter Brey and Elizabeth Mann, produced by twelve time Grammy Award winner David Frost.