Program

"Towards an Intergalactic Music Theory of Everything"

Event Info

A Musicology Colloquium Talk by Professor Daniel Chua (University of Hong Kong). 

Abstract:

This paper explores the possibility of a music theory for aliens, inspired by NASA’s Golden Record of Earth’s greatest hits rocketed into space in 1977 on the Voyager mission. The question is: why? Why explore such a posthuman-proalien idea? Is this just pie-in-the-sky for a distant future and a distant galaxy? I suggest that such speculations bring music theory back to earth and back to the future.

Free and open to all. Reception to follow. 

About the Artist:

Daniel KL CHUA earned his PhD in musicology from Cambridge University and is currently Professor and Chair of music at the University of Hong Kong. Before joining HKU, he was the Director of Studies at St John’s College, Cambridge, and later Professor of Music Theory and Analysis at King’s College London. He was a Visiting Senior Research fellow at Yale (2014-15), a Henry Fellow at Harvard (1992-3), and a Research Fellow at Cambridge (1993-7).  He is the recipient of the 2004 Royal Musical Association’s Dent Medal.  He was editor of Music & Letters, and is on the editorial board of major musicological journals.  He was a Director-at-Large of the International Musicological Society and is currently the Society’s President (2017-2022).  He has written widely on music, from Monteverdi to Stravinsky, but is particularly known for his work on (i) Beethoven, (ii) the intersection between music, philosophy and theology, and (iii) the history of ‘absolute music’. His publications include The ‘Galitzin’ Quartets of Beethoven (Princeton, 1994), Absolute Music and the Construction of Meaning (Cambridge, 1999), Beethoven and Freedom, (Oxford, 2017), ‘Rioting With Stravinsky: A Particular Analysis of the Rite of Spring’ (2007), ‘Beethoven’s Other Humanism’ (2009), and ‘Listening to the Self: The Shawshank Redemption and the Technology of Music’ (2011). He is currently collaborating on various theologically inflected projects based at Duke and Yale Divinity Schools, and is working on a post-human manifesto modestly entitled an Intergalactic Music Theory of Everything (IMTE).