“Music is a logical deduction from absurd premises.”
Dmitri Tymoczko (b. 1969, Cambridge, Massachusetts) is a composer and music theorist who teaches at Princeton University. His book A Geometry of Music (Oxford) has been described as “a tour de force” (The Times Literary Supplement), a “monumental achievement” (Music Theory Online), and, potentially, a modern analogue to Schoenberg’s Harmonielehre (The Musical Times). His two CDs, Beat Therapy (“far reaching yet utterly entertaining,” Newmusicbox) and Crackpot Hymnal (“ebullient … polystylistic … kinetic … vividly orchestrated and vibrantly paced,” Sequenza21), are available from Bridge Records. A third CD, Rube Goldberg Variations, will appear in 2017. The author of the first music-theory article ever published by Science magazine, he has received a Rhodes scholarship, a Guggenheim fellowship, and additional prizes from the American Academy of Arts and Letters, the Radcliffe Institute for Advanced Study, Tanglewood, the Society for Industrial and Applied Mathematics, and others. His music, which often draws on jazz and rock, has been performed and commissioned by groups including the Amernet Quartet, the Atlantic Brass Quintet, the Brentano Quartet, the Corigliano Quartet, Flexible Music, Gallicantus, the Gregg Smith Singers, the Illinois Modern Ensemble, Janus Trio, the Kitchener/Waterloo symphony, Network for New Music, Newspeak, Pacifica Quartet, Synergy Vocal Ensemble, Third Coast Percussion Quartet, and Ursula Oppens.
Courses
- MUS 531: Composition
- MUS 319: Composition and Improvisation
- MUS 310: Advanced Workshop in Musical Composition
- MUS 541: Seminar in Music Composition
- MUS 531: Composition
- MUS 341: Atonality and Noise
- MUS 532: Composition
- MUS 330: Composing for Film
- MUS 306: Understanding Tonality
- MUS 531: Composition
- MUS 310: Advanced Workshop in Musical Composition
- MUS 326: Composing Like Beethoven
- MUS 545: Contexts of Composition: Composing Fast
- MUS 532: Composition
- MUS 319: Composition and Improvisation
- MUS 532: Composition
- MUS 531: Composition
- MUS 545: Contexts of Composition: Process and Intuition
- MUS 532: Composition
- MUS 510: Extramural Research Internship
- MUS 319: Composition and Improvisation
- MUS 531: Composition
- MUS 306: Understanding Tonality
- MUS 527: Seminar in Musicology
- MUS 532: Composition
- MUS 510: Extramural Research Internship
- MUS 330: Advanced Concepts in Rhythm