This course will explore various ways of approaching polyphonic composition. In the first half, we will learn how to balance horizontal and vertical aspects of harmony via surveying the rules and techniques associated with Renaissance counterpoint. The second half is dedicated to rethinking the musical materials that define contrapuntal languages, specifically the role of timbre, register, and tuning in the classifications of consonance and dissonance. We seek to uncover the tendencies of 21st-century counterpoint and to reinvigorate the art of linear composition.
Fall 2022 Class Schedule
M, 01:30 PM - 04:20 PM