What is “global” about global music theory? What does this subfield promise for the wider discipline of music studies, for the traditions making up the global musicscape, and for the people behind those musics? This course examines the key questions, methods, and stakes of global music theory through the lens of recent scholarly discourse, with coverage on topics including translation practices, music theory pedagogy, and the perennial debate between universality and cultural relativism. To contextualize the emergence of this subfield, we also discuss relevant literature in world music analysis and comparative musicology.
Spring 2024 Class Schedule
Th, 01:30 PM - 04:20 PM