Jazz Creative Large Ensemble

PRINCETON UNIVERSITY CREATIVE LARGE ENSEMBLE
Conducted by Darcy James Argue

SPECIAL GUEST

Dafnis Prieto, Drums

WINDS

Milan Sastry’26 (soprano sax, alto sax)

Konstantin Howard ’24 (alto sax)

Preston Lust ’24 (tenor sax)

Jacob Jackson ’26 (flute, piccolo, soprano sax, tenor sax)

Adithya Sriram ’24 (baritone sax)

TRUMPETS

John Brunozzi *

Gabriel Chalick ’24

Kalena Bing ’26

Matthew Chen *

TROMBONES

Thomas Verrill ’25

Pranav Vadapalli ’25

Gloria Simmons’27

Wesley Sanders’26

GUITAR
Rohit Oomman ’24

PIANO
Charles Dutta ’27

BASS

Ari Freedman, GS

Max Vinetz, GS

DRUMS
Ryder Walsh ’26

* Guest Artist

From Cuba, Dafnis Prieto‘s revolutionary drumming techniques and compositions have had a powerful impact on the Latin and Jazz music scene, nationally and internationally.

Various awards include a 2011 MacArthur Fellowship Award; a GRAMMY Award and a Latin GRAMMY Award nomination for Best Latin Jazz Album for Dafnis Prieto Big Band Back to the Sunset in 2018; a GRAMMY Award nomination for Best Latin Jazz Album for Dafnis Prieto Sextet Transparency in 2021; a GRAMMY Award nomination for Best Latin Jazz Album for Absolute Quintet, and a Latin GRAMMY nomination for “Best New Artist,” in 2007; and “Up & Coming Musician of the Year” by the Jazz Journalists Association in 2006. Also a gifted educator, Prieto has conducted numerous master classes, clinics, and workshops throughout the world. He was a faculty member of Jazz Studies at NYU from 2005 to 2014, and in 2015 became a faculty member of Frost School of Music at UM (University of Miami), where he directs the esteemed Frost Latin Jazz Orchestra.

As a composer, Prieto has created music for dance, film, chamber ensembles, and most notably for his own bands ranging from duets to big bands, including the distinctively different groups featured by nine acclaimed recordings as a leader: About The Monks, Absolute Quintet, Taking The Soul For a Walk, Si o Si Quartet-Live at Jazz Standard, Dafnis Prieto Proverb Trio, Triangles and Circles, Back to the Sunset, Transparency, and Cantar. In 2022 Prieto premiered a new work for Latin band and string orchestra — Tentación — performed by People of Earth with the Louisville Orchestra, the Los Angeles Philharmonic, the New World Symphony, and the Britt Festival Orchestra. He has received new works commissions, grants, and fellowships from Chamber Music America; Princeton University; Jazz at Lincoln Center; Museum of Modern Art; Whitney Museum; National Association of Latino Arts & Cultures; Jerome Foundation; East Carolina University; Painted Bride Art Center; Meet the Composer; WNYC; the Louisville Orchestra, the Britt Festival Orchestra, New Music USA, Hazard Productions, and People of Earth; and the Metropole Orkest.

Prieto has performed at many national and international music festivals as a bandleader presenting his own projects and music. Since his arrival to New York in 1999, Prieto has also worked in bands led by Michel Camilo, Chucho and Bebo Valdés, Henry Threadgill, Steve Coleman, Eddie Palmieri, Chico and Arturo O’Farrill, Dave Samuels & The Caribbean Jazz Project, Jane Bunnett, D.D. Jackson, Edward Simon, Roy Hargrove, Don Byron, and Andrew Hill, among others.

In 2016 Prieto published the groundbreaking analytical and instructional drum book, A World of Rhythmic Possibilities. In 2020 he published Rhythmic Synchronicity, a book for non-drummers inspired by a course of the same name that Prieto developed at the Frost School of Music.

Prieto is the founder of the independent music company Dafnison Music. He endorses: Yamaha Drums, Sabian Cymbals, Latin Percussion, Evans Drumheads, and Vic Firth Sticks. 

Darcy James Argue, “one of the top big band composers of our time”(Stereophile), is best known for Secret Society, an 18-piece group “renowned in the jazz world” (New York Times). Argue brings an outwardly anachronistic ensemble into the 21st century through his “ability to combine his love of jazz’s past with more contemporary sonics” and is celebrated as “a syncretic creator who avoids obvious imitation” (Pitchfork).

Acclaimed as an “innovative composer, arranger, and big band leader” by The New Yorker, Argue’s accolades include multiple GRAMMY nominations and a Latin GRAMMY Award, a Guggenheim Fellowship, a Doris Duke Artist Award, and countless commissions and fellowships. His prescient 2016 Real Enemies, an album-length exploration of the politics of paranoia, was named one of the 20 best jazz albums of the decade by Stereogum. Like Real Enemies, Argue’s previous recordings — his debut Infernal Machines and his follow-up, Brooklyn Babylon — were nominated for both GRAMMY and JUNO awards.

The long-awaited fourth Secret Society album, Dynamic Maximum Tension, coming in 2023, is named after the three words that inventor and futurist R. Buckminster Fuller combined to form his personal brand: “Dymaxion” — a term reflecting Bucky’s desire to get the most out of his materials, the utopian vision of his designs, and his quest to improve the pattern of daily life. In composing the music for this recording, Argue found optimism and creative renewal in Fuller’s extraordinary prescience as an early proponent of wind and wave power, and in his timelessly futuristic designs inspired by the geometry of the natural world.

Argue has been named Composer of the Year and Secret Society named Big Band of the Year by the DownBeatInternational Critics Poll. He has been commissioned by the MAP Fund, the Fromm Music Foundation, the Newport Festival Foundation, the Jerome Foundation, BAM, and the Jazz Gallery, as well as ensembles including the Danish Radio Big Band, the Canadian National Jazz Orchestra, NYO Jazz, the Hard Rubber Orchestra, the West Point Jazz Knights, and the Orquestra Jazz de Matosinhos. He is the recipient of grants and fellowships from the New York Foundation for the Arts, New Music USA, Composers Now, the Mid Atlantic Arts Foundation, the Aaron Copland Fund for Music, the Canada Council for the Arts, and MacDowell.

JAZZ AT PRINCETON UNIVERSITY serves to promote this uniquely American music as a contemporary and relevant art form. Its goals are to convey the vast musical and social history of jazz, establish a strong theoretical and stylistic foundation with regard to improvisation and composition, and emphasize the development of individual expression and creativity. Offerings of this program include academic course work, performing ensembles, master classes, private study, and independent projects. Jazz at Princeton University thanks you for joining them on this evening’s journey of beauty, exploration, discovery, and hope.