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date & time

Fri, Jan 31, 2025
7:30 pm
- 9:00 pm

ticketing

TBD | Open to the public

Four people sitting by a window

On the toes of their Grammy nomination, Sō Percussion returns to Richardson for their winter concert.

For twenty years and counting, Sō Percussion has redefined chamber music for the 21st century through an “exhilarating blend of precision and anarchy, rigor and bedlam” (The New Yorker).

Sō’s commitment to the creation and amplification of new work, and their extraordinary powers of perception and communication have made them a trusted partner for composers, allowing the writing of music that expands the style and capacity of brilliant voices of our time. Sō’s collaborative composition partners include Caroline Shaw, David Lang, Julia Wolfe, Nathalie Joachim, Dan Trueman, Kendall K. Williams, Angélica Negrón, Shodekeh Talifero, claire rousay, Leilehua Lanzilotti, Bora Yoon, Olivier Tarpaga, Bobby Previte, Matmos, and many others.

The current season hears Sō and Caroline Shaw perform a program highlighting their newest album, Rectangles and Circumstance,  at the Barbican in London, the BOZAR in Brussels, Saffron Hall in Essex, and at 92NY in New York City. Recent Sō  highlights have included performances at Carnegie Hall, the Elbphilharmonie Hamburg, Big Ears, Cal Performances, at the Palau de la Musica Catalana in Barcelona, the Kennedy Center for the Performing Arts, Penn Live Arts in Philadelphia, the Hancher Auditorium at the University of Iowa, the Oklahoma Philharmonic, the Library of Congress, touring Benin and Burkina Faso with Olivier Tarpaga, and more.

In addition to Rectangles and Circumstances, their recent albums with Caroline Shaw include Let the Soil Play its Simple Part; and the Grammy-award winning Narrow Sea with Dawn Upshaw and Gilbert Kalish, all on Nonesuch Records.  Other recent albums include an acclaimed version of Julius Eastman’s Stay On It,  and Darian Donovan Thomas’s Individuate. This adds to a catalog of more than twenty-five albums featuring landmark recordings of works by Steve Reich, Steven Mackey, David Lang, and many others.

In Fall 2024, Sō Percussion began its eleventh year as the Edward T. Cone performers-in-residence at Princeton University. Rooted in the belief that music is an elemental form of human communication, and galvanized by forces for social change, Sō enthusiastically pursues a range of social and community outreach through their nonprofit umbrella, including partnerships with local ensembles including Brooklyn’s Pan in Motion; their Sō Laboratories concert series; a studio residency program in Brooklyn; fundraising for the Trenton Area Soup Kitchen; and the Sō Percussion Summer Institute, an intensive two-week chamber music seminar for percussionists and composers.

Sō is: Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting.


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For twenty years and counting, Sō Percussion has redefined chamber music for the 21st century through an “exhilarating blend of precision and anarchy, rigor and bedlam” (The New Yorker).

Sō’s commitment to the creation and amplification of new work, and their extraordinary powers of perception and communication have made them a trusted partner for composers, allowing the writing of music that expands the style and capacity of brilliant voices of our time. Sō’s collaborative composition partners include Caroline Shaw, David Lang, Julia Wolfe, Nathalie Joachim, Dan Trueman, Kendall K. Williams, Angélica Negrón, Shodekeh Talifero, claire rousay, Leilehua Lanzilotti, Bora Yoon, Olivier Tarpaga, Bobby Previte, Matmos, and many others.

The current season hears Sō and Caroline Shaw perform a program highlighting their newest album, Rectangles and Circumstance,  at the Barbican in London, the BOZAR in Brussels, Saffron Hall in Essex, and at 92NY in New York City. Recent Sō  highlights have included performances at Carnegie Hall, the Elbphilharmonie Hamburg, Big Ears, Cal Performances, at the Palau de la Musica Catalana in Barcelona, the Kennedy Center for the Performing Arts, Penn Live Arts in Philadelphia, the Hancher Auditorium at the University of Iowa, the Oklahoma Philharmonic, the Library of Congress, touring Benin and Burkina Faso with Olivier Tarpaga, and more.

In addition to Rectangles and Circumstances, their recent albums with Caroline Shaw include Let the Soil Play its Simple Part; and the Grammy-award winning Narrow Sea with Dawn Upshaw and Gilbert Kalish, all on Nonesuch Records.  Other recent albums include an acclaimed version of Julius Eastman’s Stay On It,  and Darian Donovan Thomas’s Individuate. This adds to a catalog of more than twenty-five albums featuring landmark recordings of works by Steve Reich, Steven Mackey, David Lang, and many others.

In Fall 2024, Sō Percussion began its eleventh year as the Edward T. Cone performers-in-residence at Princeton University. Rooted in the belief that music is an elemental form of human communication, and galvanized by forces for social change, Sō enthusiastically pursues a range of social and community outreach through their nonprofit umbrella, including partnerships with local ensembles including Brooklyn’s Pan in Motion; their Sō Laboratories concert series; a studio residency program in Brooklyn; fundraising for the Trenton Area Soup Kitchen; and the Sō Percussion Summer Institute, an intensive two-week chamber music seminar for percussionists and composers.

Sō is: Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting.


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