Courses

Course
AAS305: The History of Black Gospel Music (Fall 2018)

This course will trace the history of black gospel music from its origins in the American South to its modern origins in 1930s Chicago and into the 1990s mainstream.

Course
COM219: A Cultural History of Nineteenth Century Europe through Wagner's Ring (Fall 2018)

Wagner's 15-hour opera cycle Der Ring des Nibelungen is a unique masterpiece that transformed opera as a genre.

Course
CWR211: How to Write A Song (Spring 2018)
Steven Mackey

An introduction to the art of writing words for music, an art at the core of almost every literary tradition from Homer through Beowulf to W.B Yeats and beyond.

Course
DAN303: Rhythm Tap Dance Lab: Explorations in Black Embodied and Electronic Music (Spring 2022)

Enrolled students will engage with this course as workshop cast members of a new interdisciplinary piece by Princeton Arts Fellow Michael J.

Course
DAN304: Special Topics in Contemporary Practice: Creating Collaboratively, Collaborating Creatively (Spring 2017)

Choreographer/director Pavel Zustiak, composer/musician Shawn Jaeger, and visiting guest scenographers lead this workshop on the interdisciplinary creative process, with the aim to collaboratively research, create, and perform.

Course
DAN304: Special Topics in Contemporary Practice: Music and Dance: Choreographing Collaboration (Fall 2016)
Jason Treuting

Join choreographer Susan Marshall and composer/percussionist Jason Treuting in creating and performing music and dance works with your classmates. Explore approaches to playful cross-disciplinary collaboration. How can one medium enhance another?

Course
EAS237: Imagining Sounds of China: Encounters and Fantasies (Spring 2019)

Chinese culture and history contain an abundance of sounds with distinctive timbres. They have been experienced, imagined and theorized locally and in cross-cultural dialogues.

Course
ENG221: Words vs. Music: The Song in Modern Times (Spring 2017)

Bob Dylan has been awarded the 2016 Nobel Literature Prize, finally affirming that song lyrics matter. This course interrogates the collaboration between words and music, but entertains the notion that each is potentially a threat to the other.

Course
GER523: Topics in German Media Theory & History: Sonic Politics (Fall 2022)
Gavin Steingo

In the wake of a series of recent events "Havana syndrome," acoustic devices for suppressing protests, etc.--the weaponization of the acoustic has gained widespread public attention.

Course
HUM230: Music and Language (Spring 2022)

Music and language offer unique pathways into studying the human mind.

Course
HUM470: Interdisciplinary Studies in the Humanities: Abandoned Women (Fall 2021)
Wendy Heller

This team-taught interdisciplinary seminar will trace the fates of a series of abandoned women in ancient literature, interweaving their story with responses in operatic and musical formats from the modern world.

Course
HUM470: Interdisciplinary Studies in the Humanities: Voice (Spring 2019)

This seminar examines the theory and practice of the human voice across media including literature and music, as well as film, podcasting, social media, and other digital technologies.

Course
IRI328: Moscow: Culture, History, Politics (Summer 2017)
Simon A. Morrison

This seminar explores the history, culture, and politics of Moscow, a metropolis of 12 million that is at once the capital of the Russian Federation and a state of its own, distinct from the rest of the country and the world.

Course
IRI328: Moscow: Culture, History, Politics (Summer 2019)
Simon A. Morrison

This seminar explores the history, culture, and politics of Moscow, a metropolis of 12 million that is at once the capital of the Russian Federation and a state of its own, distinct from the rest of the country and the world.

Course
MPP213: Projects in Instrumental Performance: Chamber Music (Fall 2021)
Geoffrey Burleson
Eric Cha-Beach
Jack Hill
Francine Kay
Josh Quillen
Adam Sliwinski
Jessica Thompson
Jason Treuting
Nancy Wilson
Eric Wyrick

Instrumental chamber music class of the standard repertory of the 18th, 19th, and 20th centuries. Preparation for performance of ensembles.

Course
MPP213: Projects in Instrumental Performance: Chamber Music (Fall 2022)
Eric Cha-Beach
Josh Quillen
Adam Sliwinski
Jason Treuting

Instrumental chamber music class of the standard repertory of the 18th, 19th, and 20th centuries. Preparation for performance of ensembles.

Course
MPP213: Projects in Instrumental Performance: Chamber Music (Spring 2021)
Eric Cha-Beach
Susannah Chapman
Margaret Kampmeier
Josh Quillen
Adam Sliwinski
Jason Treuting

Instrumental chamber music class of the standard repertory of the 18th, 19th, 20th and 21st centuries. Preparation for virtual, online study, with resulting recording.

Course
MPP213: Projects in Instrumental Performance: Chamber Music (Spring 2022)
Eric Cha-Beach
Jack Hill
Margaret Kampmeier
Francine Kay
Christopher Komer
Alberto Parrini
Michael Pratt
Josh Quillen
Adam Sliwinski
Jo-Ann Sternberg
Jessica Thompson
Jason Treuting
Eric Wyrick

Instrumental chamber music class of the standard repertory of the 18th, 19th, and 20th centuries. Preparation for performance of ensembles.

Course
MPP214: Projects in Vocal Performance: Singing American Musical Theatre (Fall 2021)
Martha Elliott

This course will invite student singers and pianists to prepare and perform songs from 20th and 21st century American Musical Theatre.

Course
MPP214: Projects in Vocal Performance: Study of Spanish and Latin American Song (Spring 2021)
Ronald Cappon
Barbara Rearick

Vocal Instructors Barbara Rearick and Ronald Cappon invite you to an energizing, invigorating exploration of a smattering of vocal literature in Spanish from Spain and Latin America.

Course
MPP214: Projects in Vocal Performance: Voicecraft (Spring 2022)
Jacqueline Horner-Kwiatek
Andrew Lovett

In this course we will explore the extraordinary capabilities of the human voice.

Course
MPP215: Projects in Jazz Performance (Fall 2020)
Matthew Parrish

This is a jazz studies course that uses jazz performance as a vehicle for creating themed compositions in various jazz idiom styles. Students will develop a `jazz vocabulary' to enable effective works between musicians (e.g.

Course
MPP215: Projects in Jazz Performance (Fall 2021)

This is a jazz studies course that uses jazz performance as a vehicle for creating themed compositions in various jazz idiom styles. Students will develop a `jazz vocabulary' to enable effective works between musicians (e.g.

Course
MPP216: Techniques of Conducting (Spring 2021)
Gabriel Crouch

Class will focus on four areas: (1) the development of competency in choral conducting technique; (2) verbal and non-verbal communication in rehearsal; (3) the study of choral repertoire of various styles and genres, emphasizing analysis and inter

Course
MPP219: Opera Performance (Fall 2020)
Michael Pratt

Vocal and instrumental students will rehearse and perform Francesco Cavalli's opera La Calisto in Richardson Auditorium with full orchestra. Director is Christopher Mattaliano, Conductor is Michael Pratt.