Courses

Course
MUS527: Seminar in Musicology
Dmitri Tymoczko

This class involves an in-depth reading of my manuscript, Tonality: an Owner's Manual, reading one chapter per week.

Course
MUS704: Baroque Dance: Sources and Interpretation
Wendy Heller

No description available

Course
MUS983: Senior Departmental Exam
Course
MUS981: Junior Independent Work
Course
STC204: Musical Instruments, Sound, Perception, and Creativity
Juri Seo
Dan Trueman

Musical instruments reside at the intersection of varied topics: sound, perception, embodiment, music theory, social values, and more; how has their design influenced the development of music and how might they be reinvented to spur new ideas?

Course
MUS548: Creative Practice in Cultural Perspective: Humanity and Dominance in the Arts
Barbara White

An exploration of the tension between humane and dominant tendencies in the arts. The creative arts are often idealized for their virtue and transcendence, for their ability to enrich and inspire us.

Course
MUS545: Contexts of Composition: Composing concertos: the individual and the group
Steven Mackey

This seminar is a follow up to composing for Orchestra and covers some of the same issues of writing for a large conducted ensemble, but now that ensemble shares the stage with a soloist or small group of soloists and the focus is on the relations

Course
MUS534: Ends and Means: Issues in Composition
Eric Cha-Beach
Josh Quillen
Adam Sliwinski
Jason Treuting
Dan Trueman

Our focus is on writing new works for percussion quartet, with a level and depth of engagement which resembles So's process of commissioning major new works.

Course
MUS531: Composition
Donnacha Dennehy
Steven Mackey
Juri Seo
Dan Trueman
Dmitri Tymoczko
Barbara White

Emphasis is placed upon the individual student's original work and upon the study and discussion of pieces pertinent to that work.

Course
MUS525: Topics in Music from 1400 to 1600: Polyphonic Mass Composition in Europe,1440-1540
Rob Wegman

Chronological survey of the changing styles of Mass composition in the period 1450-1550,
beginning with the anonymous English Missa Caput and Petrus de Domarto's Missa Spiritus

Course
MUS524: Collisions

This seminar examines the role of key controversies and debates within music studies over the past few decades. What leads to scholarly confrontation, and what comes out of it? How do bouts of discord shape the field?

Course
MUS513: Topics in 19th- and Early 20th-Century Music: Abstraction
Simon A. Morrison

This semester explores the origins and exploitation of the concept of abstraction in music from circa 1910.

Course
MUS312: Jazz Theory through Improvisation and Composition II
Ralph Bowen

An examination of the theoretical principles found in modal jazz through analysis of representative works by such composers as Wayne Shorter, Joe Henderson, and Herbie Hancock.

Course
MUS310: Advanced Workshop in Musical Composition
Steven Mackey

A composition course for independent, self-directed composers working in any style. The primary requirement is to compose a substantial piece and present it at our class concert at the end of the semester.

Course
MUS306: Understanding Tonality
Dmitri Tymoczko

In this course we will try to understand the complex phenomenon of "tonality." We will theorize about harmony, voice leading, and scales, studying works by Gesualdo, Beethoven, Wagner, Debussy, Stravinsky, Ravel, Reich, and cont

Course
MUS300: Junior Seminar
Juri Seo

This course introduces students to key methodological, technical, creative, and disciplinary issues entailed in the study and making of music.

Course
MUS300: Junior Seminar
Juri Seo

This course introduces students to key methodological, technical, creative, and disciplinary issues entailed in the study and making of music.

Course
MUS234: Music of the Baroque
Wendy Heller

We examine the music of the Baroque period in its cultural context, exploring works by such composers as Monteverdi, Cavalli, Purcell, Bach, and Handel, considering such topics as the birth of opera, the voice of the castrato, the musical conseque

Course
MUS223: The Ballet
Simon A. Morrison

A history of ballet from its origins in the French courts through its development into a large-scale theatrical spectacle in the 19th century and its modernist deformation.

Course
MUS205: Species Counterpoint
Juri Seo

To lay the foundation for a thorough understanding of the principles of linear structure and voice-leading through the study of 16th-century counterpoint. Includes weekly composition and transcription exercises.

Course
MUS105: Music Theory through Performance and Composition
Donnacha Dennehy

Music 105 is the first of a two-semester course on introductory music theory of Western classical music.

Course
MUS103: Introduction to Music
Rob Wegman

Music 103 is an introduction to Western Art Music (works from 1100 to the present). The course defines the basic elements of music - pitch, rhythm, melody, harmony, and form - and the historically significant styles and genres of composition.

Course
MUS983: Senior Departmental Exam

No Description Available

Course
MUS984: Senior Thesis

No Description Available