In this course, we’ll examine how horizontal activity (melody) in multiple voices generates vertical structure (harmony), and how horizontal and vertical activity combine to yield musical architecture (form). We’ll explore the building blocks of melody, harmony, counterpoint, rhythm, and form using practical examples, exercises, transcriptions, and composition/arranging projects as a means to internalize concepts. We’ll examine representative works by important jazz composers and arrangers, and develop strategies for writing idiomatically for jazz ensembles of up to 9 musicians.
Fall 2020 Class Schedule
T, Th, 01:30 PM - 02:50 PM