Examination of works produced by Ballets Russes and Ballets Suédois, with emphasis on dialogue between music and dance in these works, the rivalry between the two companies between 1920 and 1925 (the years the Ballets Suédois operated), and their general contribution to French modernism. Discussions address canonic ballets and their transformations, “deceased” ballets and the potential for reviving them, and “living” ballets (those that have stayed more or less intact since their premieres. History has treated the Ballets Russes repertoire better than that of the Ballets Suédois: Petrushka is accessible as a ballet; La Boîte à Joujoux is not.
Spring 2021 Class Schedule
F, 09:00 AM - 11:50 AM