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A Masterclass with Miranda Cuckson, Violinist
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date & time
Sun, Nov 12, 2023 | Masterclass: 2–4PM ET | Concert: 5PM–6PM ET
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Free, unticketed
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Award-winning violinist Miranda Cuckson works with talented Princeton University students in a free workshop, sponsored by the Donna Weng Friedman ’80 Masterclass Series. A concert of solo violin pieces commissioned specially for Ms. Cuckson will be held after the masterclass.
Masterclass: 2–4PM ET
Concert: 5PM–6PM ET
Program
Maurice Ravel Violin Sonata No. 2
Performed by Abigail Stafford '26
Nancy Wilson, Violin Faculty at Princeton
Felix Mendelssohn Violin Concerto in E minor, Op. 64
Performed by Elinor Detmer '26
Sunghae Anna Lim, Violin Faculty at Princeton
Pyotr Ilyich Tchaikovsky Violin Concerto in D Major, Op. 35
Performed by Shannon Ma '27
Li Lin, Violin Faculty at Juilliard
Sāniyā (2019) Aida Shirazi
Performed by Miranda Cuckson, Violinist
Solo - a Suite for Solo Violin (2022) Stewart Goodyear
Performed by Miranda Cuckson, Violinist
Secret Machine No. 7 (2023) Scott Wollschleger
Performed by Miranda Cuckson, Violinist
Miranda Cuckson, Violinist
Miranda Cuckson has delighted audiences with her playing of a wide range of music and styles, from older eras to the newest creations. A distinctive and acclaimed soloist and collaborator, she performs at venues large and small, from casual spaces to concert halls. These have included the Berlin Philharmonie, Suntory Hall, Casa da Musica Porto, Teatro Colón, Cleveland Museum, Art Institute of Chicago, Strathmore, St. Paul Chamber Orchestra’s Liquid Music series, 92nd St Y, National Sawdust, and the Ojai, Bard, Marlboro, Portland, Music Mountain, West Cork, Grafenegg, Wien Modern, and LeGuessWho festivals. Miranda made her Carnegie Hall debut playing Piston’s Concerto No. 1 with the American Symphony Orchestra. She recently premiered Georg Friedrich Haas’ Violin Concerto No. 2 with four orchestras in Japan and Europe, and the Violin Concerto by Marcela Rodriguez with the Orquesta Sinfónica Nacional de México. Upcoming concerts include recitals at San Francisco Performances and on tour in Germany, and the Haas concerto at the Vienna Musikverein.
Reflecting her deeply felt perspective as a multiethnic American, Miranda works with an array of artists from many backgrounds. She has given innumerable premieres, had many substantial works written for her, and works with promising young artists and the most renowned composers of our era. She is a member of interdisciplinary collective AMOC* and founder/director of non-profit Nunc. She has guest curated at National Sawdust and done programming of chamber concerts at the Contempo series in Chicago and Miller Theater in New York, among others.
Miranda’s many lauded albums include Világ featuring the Bartok Solo Sonata along with new works; a live recording of the Ligeti Violin Concerto; the Korngold and Ponce concertos; several albums of music by major American composers; Bartók, Schnittke and Lutoslawski on ECM; Melting the Darkness, an album of microtonal and electronic music; and Nono’s La lontananza nostalgica utopica futura, which was named a Best Recording of the Year by the New York Times.
Miranda is an alumna of The Juilliard School, having studied there from Pre-College through her doctorate, and she was awarded the school’s Presser Award. She teaches at the Mannes School of Music at New School University. www.mirandacuckson.com
Miranda Cuckson, Violinist
Miranda Cuckson has delighted audiences with her playing of a wide range of music and styles, from older eras to the newest creations. A distinctive and acclaimed soloist and collaborator, she performs at venues large and small, from casual spaces to concert halls. These have included the Berlin Philharmonie, Suntory Hall, Casa da Musica Porto, Teatro Colón, Cleveland Museum, Art Institute of Chicago, Strathmore, St. Paul Chamber Orchestra’s Liquid Music series, 92nd St Y, National Sawdust, and the Ojai, Bard, Marlboro, Portland, Music Mountain, West Cork, Grafenegg, Wien Modern, and LeGuessWho festivals. Miranda made her Carnegie Hall debut playing Piston’s Concerto No. 1 with the American Symphony Orchestra. She recently premiered Georg Friedrich Haas’ Violin Concerto No. 2 with four orchestras in Japan and Europe, and the Violin Concerto by Marcela Rodriguez with the Orquesta Sinfónica Nacional de México. Upcoming concerts include recitals at San Francisco Performances and on tour in Germany, and the Haas concerto at the Vienna Musikverein.
Reflecting her deeply felt perspective as a multiethnic American, Miranda works with an array of artists from many backgrounds. She has given innumerable premieres, had many substantial works written for her, and works with promising young artists and the most renowned composers of our era. She is a member of interdisciplinary collective AMOC* and founder/director of non-profit Nunc. She has guest curated at National Sawdust and done programming of chamber concerts at the Contempo series in Chicago and Miller Theater in New York, among others.
Miranda’s many lauded albums include Világ featuring the Bartok Solo Sonata along with new works; a live recording of the Ligeti Violin Concerto; the Korngold and Ponce concertos; several albums of music by major American composers; Bartók, Schnittke and Lutoslawski on ECM; Melting the Darkness, an album of microtonal and electronic music; and Nono’s La lontananza nostalgica utopica futura, which was named a Best Recording of the Year by the New York Times.
Miranda is an alumna of The Juilliard School, having studied there from Pre-College through her doctorate, and she was awarded the school’s Presser Award. She teaches at the Mannes School of Music at New School University. www.mirandacuckson.com