Juri Seo is a composer and pianist based in Princeton, New Jersey. She seeks to write music that encompasses extreme contrast through compositions that are unified and fluid, yet complex. She merges many of the fascinating aspects of music from the past century—in particular its expanded timbral palette and unorthodox approach to structure—with a deep love of functional tonality, counterpoint, and classical form. With its fast-changing tempi and dynamics, her music explores the serious and the humorous, the lyrical and the violent, the tranquil and the obsessive. She hopes to create music that loves, that makes a positive change in the world—however small—through the people who are willing to listen.
Her composition honors include a Guggenheim Fellowship, a Koussevitzky Commission from the Library of Congress, a Goddard Lieberson Fellowship from the American Academy of Arts and Letters, the Kate Neal Kinley Memorial Fellowship, Copland House Residency Award, and the Otto Eckstein Fellowship from Tanglewood. She has received commissions from Fromm Foundation, Barlow Endowment, Tanglewood Music Center, the 21st Century Piano Commission Competition from the University of Illinois, and the Renée B. Fisher Piano Competition. Her debut album “Mostly Piano” was released by Innova Recordings in 2017. She holds a D.M.A. (Dissertation: Jonathan Harvey’s String Quartets, 2013) from the University of Illinois at Urbana-Champaign where she studied with Reynold Tharp. She has also attended the Accademia Nazionale di Santa Cecilia (Rome, corsi di perfezionamento with Ivan Fedele) and Yonsei University (Seoul, B.M.). Since 2009, she has been a composition fellow at the Tanglewood, Bang on a Can, and SoundSCAPE festivals, the Wellesley Composers Conference, and the Atlantic Center for the Arts. She is Associate Professor of Music at Princeton University.
B.A. Yonsei University (Korea)
M.M., D.M.A University of Illinois at Urbana-Champaign
Guggenheim Fellowship, 2016; Goddard Lieberson Fellowship from American Academy of Arts and Letters 2013; Kate Neal Kinley Fellowship 2011; Otto Eckstein Fellowship from Tanglewood 2011
Courses
- MUS 534: Ends and Means: Issues in Composition
- MUS 531: Composition
- MUS 205: Species Counterpoint
- MUS 534: Ends and Means: Issues in Composition
- MUS 531: Composition
- MUS 532: Composition
- MUS 308: Contemporary Music through Composition and Performance
- MUS 204 / STC 204: Musical Instruments, Sound, Perception, and Creativity
- MUS 531: Composition
- MUS 341: Reimagining Counterpoint
- MUS 537: Points of Focus in 20th-Century Music
- MUS 532: Composition
- MUS 532: Composition
- MUS 204 / STC 204: Musical Instruments, Sound, Perception, and Creativity
- MUS 531: Composition
- MUS 300: Junior Seminar
- MUS 534: Ends and Means: Issues in Composition
- MUS 532: Composition
- MUS 204 / STC 204: Musical Instruments, Sound, Perception, and Creativity
- MUS 531: Composition
- MUS 300: Junior Seminar
- MUS 205: Species Counterpoint
- MUS 534: Ends and Means: Issues in Composition
- MUS 532: Composition
- MUS 106: Music Theory through Performance and Composition